How to Become a Record Producer (Music How-To)
| Author | : | |
| Rating | : | 4.22 (577 Votes) |
| Asin | : | 1870775481 |
| Format Type | : | paperback |
| Number of Pages | : | 128 Pages |
| Publish Date | : | 0000-00-00 |
| Language | : | English |
DESCRIPTION:
. He has worked as a sound engineer at the Royal Opera House, Royal Festival Hall, Queen Elizabeth Hall and other major venues in the UK and abroad. His music and recordings are frequently heard on BBC TV and Radio, Independent Television and Channel 4. David Mellor is a composer and musician who produces music for radio, film, television and CD in his home recor
"Dribble." according to A Customer. This book wasn't very helpful at all. Basically, it just repeated the fact that to learn how to be a producer, you need hands on experience. Aside from the lack of information, the book was poorly written. The sentence structure in MANY cases could have been corrected by a high school senior. What made reading this book even worse was the fact that the author failed to be funny whenever he attempted to make a humorous remark. Spend your money on another book! Here's this one summed up in a nutshell - go produce for yourself and learn by trial and . "Darn good read" according to sofino. So many recording books talk about the equipment and hardly anythin else. When I came accross this book, I was working in my bedroom studio but I didnt know what to do to break into production for real.This book goes into so many different types of production, and it tells you all about the people invloved - A&R men, arrangers, programmers, session musicians. I feel I know how to talk to these people now.When the book talks about euqipment, it puts it in perspective. Good studios have a certain type of equipment because it does the job and that's . May be helpful in the U.K. but useless in the U.S. LMBullock@Worldnet.att.net Just like Spielberg dosen't need to know how a camera works. A record producer dosen't need to know how all the equipment works. However this book, which is written in how they do it in the U.K., takes the opposite tack and loads up with generally useless information. Overdubbing, multisequencing, split track editing, these are things a producer shouldn't be concerned with. This book gives you a crash course and more. It even told what types of recorders and microphones are best right down to the model numbers. If you plan on opening your own stud
You'll need to coax the singer through the trials and tribulations of vocal recording - one of the most difficult aspects of record production. * Talent spotting * Assessing demo tapes * Developing an act * Rehearsal and pre-production * Working with live musicians and MIDI * Dealing with record companies * Hiring musicians * Choosing a studio * Mixing and remixing Every musician with an interest in recording dreams of being a record producer - it's the top job in music. 1 hit happen. Stop dreaming and start to take your first steps into the exciting world of record production.. You will need to know how to work effectively with musicians, engineers, programmers and arrangers to get them to achieve what you want. This book tells you what to look for in your advisors. You will need legal and financial advice, and good management.
He has worked as a sound engineer at the Royal Opera House, Royal Festival Hall, Queen Elizabeth Hall and other major venues in the UK and abroad. About the Author David Mellor is a composer and musician who produces music for radio, film, television and CD in his home recording studio. . His music and recordings are frequently heard on BBC TV and Radio, Independent Television and Channel 4