Dry Glazes (Ceramics Handbooks)
Author | : | |
Rating | : | 4.78 (604 Votes) |
Asin | : | 0812220978 |
Format Type | : | paperback |
Number of Pages | : | 128 Pages |
Publish Date | : | 2013-08-23 |
Language | : | English |
DESCRIPTION:
His sculptural and tile-based works have been widely collected and exhibited. . He currently lives on the waterfront in Eastern New Orleans, where he maintains Chef Pass Studio. Jeremy Jernegan is Associate Professor of Art at Tulane University
'there is much here for the glaze enthusiast' Ceramic Review, January/February 2010 'This book covers everything you need to know to create a range of glazes' London Potters, February/March 2010
Mrs. Betty Peach said buy a different book. Very disappointing. I waited a long time before spending money to buy this book and the only thing I can say is that I should have waited longer. You are better off looking on the Internet for barium glazes of which there are only a few. Probably could just paint your pots with shoe polish and sand and be better off.. good addition E. Lees In general, I have been pleased with the Ceramics Handbooks series, and this book is no exception. It covers a wide range of dry glazes. Although I have not yet had a chance to try any of them, I am eager to do so. My only frustration is that some of the mid-range glazes contain barium, and I am always scouting for glazes that satisfy my desire for barium-free dry but interesting glazes.. Dried expectations Eliane Rosas The author's work is very serious but the larger part of the recipies contain toxic material which i particularly do not enjoy. I burn in an eletrict kiln at cone 8 and the recipies i like the most ( the texture and the colour) , are suited for cone 10 reduction, or cone 04/05, so i was a little frustrated .
Dry Glazes not only contains step-by-step color photographs of test tiles and procedures; it features illustrations of works by contemporary makers who have used matte glazes to great effect.With over one hundred illustrations and an in-depth treatment of techniques, materials, and creative approaches, Dry Glazes is a smart addition to any clay worker's library. Potters such as Lucie Rie and Hans Coper frequently used matte and opaque coatings in their work. Dry glazes, also known as matte glazes, provide ceramic artists with an alternative to conventional glossy and transparent finishes. Contemporary sculptors employ dry glazes to add texture and depth to the surface of their pieces. This compact yet complete guide contains more than 270 formulas and recipes for slips, sigillatas, vitreous englobes, oxides, and stains. It is a practical and inspirational resource for ceramics practitioners, instructors, and students who want to make or alter their own glazes.. Still, little information has been published on matte glaze techniques until now.In Dry Glazes, artist and educator Jeremy Jernegan covers ev